By Jeanine Molloff, Information Clearing House, July 12, 2012
During this summer of Occupy and subsequent police brutality, the subject of torture is hotly denounced by protesters and conveniently ignored by candidates. Like that ostrich diving head first into the sand of political expediency–Americans want to focus on the alleged debt crisis or gay marriage–anything that absolves us from the messy subject of tortures committed in our names by the Bush/Cheney administration and which continue under Obama to the present day. The entire Bradley Manning debacle speaks volumes to this accusation.
In spite of strong evidence identifying Dick Cheney as the mastermind behind this torture regime–the subject remains taboo, both in the ‘news’ business and in Hollywood–that is until Hollywood executives watched trailers for the anti-war documentary– The Last War Crime.
Written, produced and directed by a new talent known only as ‘The Pen,’ this film documents the torture protocol ordained by the Bush-Cheney administration. Since it first circulated a trailer on the web; it has been heavily censored and cyber attacked. You Tube has removed it at intermittent intervals and MTV (which is owned by Viacom) has refused to sell air time for a commercial.
Apparently, there are some things that Viacom won’t accept money for—namely any film or story which exposes the regular torture ordered by Vice-President Cheney. Curious about this documentary and the blatant censorship–(I couldn’t download it)–I contacted the artist aka The Pen. Here is the interview.
JM : What are you hoping this film will accomplish in terms of genuine political change?
The Pen:” The Last War Crime Movie is about indicting Cheney for torture. And isn’t that something billions of people want to see? They say sometimes life can imitate art. But first we felt it was important that we retrace our country’s steps as to how torture was used to get the false intelligence to sell us on a war with Iraq. The real story of how this happened has been buried under an avalanche of pseudo history. They want people to forget the Downing Street minutes and the foreknowledge that the British had that Cheney and Bush were determined to invade Iraq, even if they had to “fix the facts around the policy” to do so. They want to obliterate the memory of the flimsy legal arguments in the torture memos. So we dig out all the true facts, and put them on the big screen, together with an entertaining narrative story about what it would have been like if justice had already prevailed. Continue reading