The Mohammed Mahmud wall remains alive and kicking through its graffiti, which is getting altered by the hour. The walls continue to be whitened thanks to the efforts of Egyptian authorities. Yet drawings keep on appearing layers after layers to cover the older ones and the white paint. Not only have the walls of Mohammed Mahmud Street become “a memorial space,” as I have noted in a previous contribution, but also a barometer of the Egyptian revolution. The murals seem to be vividly narrating the most recent political turmoil, portraying the state of the arts of the revolution. Sardonic graffiti and abundant insults against counter-revolutionary forces are re-emerging by the hour. Three recent drawings are worthy of attention.
[Half-Mubarak/Half-Tantawi mural before it was erased. Photo by Mona Abaza.]
[Half-Mubarak/Half-Tantawi mural repainted with Amr Mousa and Ahmed Shafiq appearing
in the background. Photo by Mona Abaza] Continue reading